I'm interested in the psychosexual body engaged with acts of self-censorship, all inspired from personal experiences. It’s a conundrum to carry ones feminine sexuality and willfully censor it and mask it with the gesture of paint. With the gestures, I see the physicality of paint colliding with the body demanding immediacy and urgency from the viewer. The gestures act as an ideogram, both a composite of an idea and a will. Bodies are grounded in artifacts yet erased when faced with the whiplash of history. My family’s lost Iraqi history is illuminated and found in physical materials to reclaim voice.